Play the Songs
YOU’RE A GOOD MAN, CHARLIE BROWN (Revised) is a fresh approach to the all-time 1967 classic. Sally Brown joins Charlie Brown, Linus, Lucy, Schroeder and Snoopy in this version. Two new songs, “Beethoven Day” and “My New Philosophy,” have been added to the twelve wonderful numbers of the original version, which include “My Blanket and Me,” “The Baseball Game,” “Little Known Facts,” “Suppertime,” and “Happiness.”
Music samples provided courtesy of Decca Records,
MPL Music Publishing and Andrew Lippa.
Announcing PERFORMANCE TRACKS, a new and powerful tool for presenting
YOU’RE A GOOD MAN, CHARLIE BROWN (Revised) without a live orchestra.
Click HERE to learn more.
- Rehearsal Materials
- Cast List
- Brief History
A program note says that the time of the action is “an average day in the life of Charlie Brown.” It really is just that, a day made up of little moments picked from all the days of Charlie Brown, from Valentine’s Day to the baseball season, from wild optimism to utter despair, all mixed in with the lives of his friends (both human and non-human) and strung together on the string of a single day, from bright uncertain morning to hopeful starlit evening.
It seems to start off all right. After some brief comments on the nature of his character by his friends, Charlie Brown is swept into their center by a rousing tribute of only slightly qualified praise, in the song “You’re a Good Man, Charlie Brown.” He is then left to his own musings as he eats his lunch on the school playground, complicated unbearably by the distant presence of his true love, the “little redheaded girl,” who is always just out of sight.
True love also seems to be the only unmanageable element in Lucy’s solid life, which we discover as we watch her try to bulldoze her way through to her boyfriend’s sensitive, six-year-old musician’s heart, in “Schroeder.” The little scenes then begin to accumulate, and we learn that Lucy’s little brother, Linus, is thoughtful about many things but fanatical when it comes to the matter of his blanket; that Patty is sweet and utterly innocent; and that Charlie Brown’s dog spends much if not most of his time thinking of being something else-a gorilla, a jungle cat, perhaps a handsome trophy or two-but that mostly his life is a pleasant one (“Snoopy”).
The events continue to trickle on. Linus enjoys a private time with his most favorite thing of all (“My Blanket and Me”), Lucy generously bothers to inform him of her ambition-of-the-moment, to become a queen with her own queendom, and then Charlie Brown lurches in for still another bout with his own friendly enemy, “The Kite.”
Valentine’s Day comes and goes with our hero receiving not one single valentine, which brings him to seek the temporary relief of Lucy’s five-cent psychiatry booth (“The Doctor Is In”). We then watch as four of our friends go through their individual struggles with the homework assignment of writing a hundred word essay of Peter Rabbit in “The Book Report.”
Act Two roars in with Snoopy lost in another world atop his dog house. As a World War One flying ace, he does not bring down the infamous Red Baron in today’s battle but we know that someday, someday he will.
The day continues. We learn of the chaotic events of the Very Little League’s “Baseball Game” as Charlie Brown writes the news to his pen pal. Lucy is moved to conduct a personal survey to find out just how crabby she really is, and all the group gathers for a misbegotten rehearsal of a song they are to sing in assembly.
It is “Suppertime,” and Snoopy once more discovers what wild raptures just the mere presence of his full supper dish can send him into. And then it is evening. The gathered friends sing a little about their individual thoughts of “Happiness” and then they go off, leaving Lucy to make a very un-Lucy-like gesture: she tells Charlie Brown what a good man he is.
None of the cast is actually six years old. And they don’t really look like Charles Schulz’s Peanuts cartoon characters. But this doesn’t seem to make that much difference once we are into the play, because what they are saying to each other is with the openness of that early childhood time, and the obvious fact is that they are all really quite fond of each other.
WHAT IS THE DIFFERENCE BETWEEN THE ORIGINAL VERSION OF THE SHOW AND THIS REVISED VERSION?
In 1998 the authors and producers of the original 1967 musical show, YOU’RE A GOOD MAN, CHARLIE BROWN, decided it was time for a major revival of the work in a Broadway theatre. The idiomatic, intimate innocence of the characters that is presented in the original stage production has been maintained, but a new perspective has been added by emphasizing the insatiable insouciance of the characters that was held in check in the original. The new cast of six characters includes Charlie Brown, Linus, Lucy, Schroeder, Snoopy and Sally Brown (she replaces Patty.)
The original twelve songs all remain in this version, and two new songs: “Beethoven Day” (Schroeder & Company) and “My New Philosophy” (Sally with Schroeder) have been added. The two melodramas, Lucy’s “Queen Lucy” and Snoopy’s “Red Baron,” retain their spoken dialogue but have completely new underscoring music. The pantomime “Rabbit Chasing” has an entirely new musical score. All the music and dialogue for the show has been reworked; it is not just the same thing with two new songs. All the show’s incidental music, dance music, vocal arrangements and orchestrations are brand new. The signature simple waltz tune (instrumental only, never sung), used to open the original show and as a musical bridge between scenes is the only music from the original that is not used in the revised version. Instead, all of the incidental musical bridge passages now relate to the characters and the principal songs associated with them. And there are 465 more measures of music in this version. The entire show looks and sounds newly minted.
This version has an entirely new sound, musically distinct from the original. It is true theatre chamber music at its most inventive, orchestrated for an ensemble of five players. The orchestrations move the feeling of the work from the intimate parlor setting of the original version, into the more public arena of the theatre proper, while maintaining the basic charm of the original music. Adding bass and percussion to the piano has broadened the rhythmic pulse of the music and sharpened its edge. These instruments also allow room for a more flexible and overtly dramatic underscoring of the staging of the musical numbers. The two solo lines of the orchestration, woodwind and string, bring wonderful shades of color and texture to the sound. The string part is for viola doubling on violin, the wind part is for one player principally doubling flute, clarinet and alto saxophone. All five players double on several instruments which significantly widens the palette of color available in the orchestration. At one point (in Snoopy’s song “Snoopy”) all the players are asked to perform a brief passage on Kazoos!
Because the new songs, new orchestrations, and new vocal and musical arrangements are substantially different from the original, a new Piano-Conductor’s Score has been written and computer-engraved. This new score is complete with all the new vocal arrangements and a piano-reduction of the new accompanying orchestration. It captures the rhythmic vitality of the new orchestrations and all the important melodic lines. This Piano-Conductor’s Score can serve as the only accompanying instrument for both rehearsals and performances when the chamber ensemble is not available. The show may be performed successfully with piano accompaniment only.
YOU’RE A GOOD MAN, CHARLIE BROWN
Based on The Comic Strip “Peanuts”
Charles M. Schulz
Book, Music and Lyrics
Additional Dialogue by Michael Mayer
Additional Music and Lyrics by Andrew Lippa
Original Direction for this version of
“You’re A Good Man, Charlie Brown” by Michael Mayer
Originally Produced in New York by
Arthur Whitelaw and Gene Persson
The above credits shall appear at least as prominently in size and placement of type as other credits, except for the star(s) of the play who may appear above the title. In the programs, the credits shall appear on the title page thereof.
The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:
YOU’RE A GOOD MAN, CHARLIE BROWN
is presented by arrangement with
TAMS-WITMARK MUSIC LIBRARY, INC.
560 Lexington Avenue, New York, New York 10022
1 Reed: Flute, Clarinet and Alto Saxophone (also doubling: Piccolo, Soprano Recorder, Soprano Saxophone & optional Kazoo)
1 Violin and Viola
(also doubling: Alto Recorder, Kazoo and Tambourine)
1 Bass: acoustic and electric instruments
(also doubling: Tenor Recorder and Kazoo)
1 Percussion: trap set and mallet instruments
(“Kat” percussion synthesizer)
Various suspended Cymbals
Cow Bell (2 sizes)
1 Piano/Partitur in 2 volumes (also doubling Keyboard Synthesizer and Kazoo) [SAMPLE]
(synthesizer registrations include: Celeste, Gospel Organ, Harmonium, Ballpark Organ, Electric Piano, Fender Rhodes, Tremolo Strings, solo Cello, Trumpets and French Horns)
Piano-Conductor’s Score sent with rehearsal material.
1 Piano Conductor’s Score
1 Prompt Book with Vocal Parts for Director
6 Prompt Books with Vocal Parts for Cast
Optional Additional Materials
1 Piano Rehearsal CD
1 Performance Tracks CD
(2 female; 4 male)
Lucy Van Pelt
Linus Van Pelt
The original Broadway production had a cast of 6 performers. No doubling was employed. The show has no dedicated chorus.
YOU’RE A GOOD MAN, CHARLIE BROWN (Revised) was presented on Broadway in 1999 and played for 149 performances at the Ambassador Theatre with award-winning performances by Roger Bart and Kristin Chenoweth as Snoopy and Sally. Originally, YOU’RE A GOOD MAN, CHARLIE BROWN opened on March 7, 1967 and played for 1,597 performances in New York at the theatre 80 St. Marks with Gary Burghoff in the title role. That version was revived on Broadway in 1971 and played for 32 performances at the John Golden Theatre.
2 Tony Awards for Featured Actress and Featured Actor
3 Drama Desk Awards for Revival, Featured Actress and Featured Actor
Find upcoming performances near you.
Organization City, State First Performance Last Performance St. Francis High School CALGARY, AB 11/29/2016 12/07/2016 Abrams Spotlight Productions, Inc. ABRAMS, WI 12/02/2016 12/11/2016 Acting Out Productions ALLEN PARK, MI 12/02/2016 12/09/2016 Hurricane High School HURRICANE, UT 12/02/2016 12/06/2016 Mandell Middle School NEW YORK, NY 12/08/2016 12/08/2016 Sir Oliver Mowat Collegiate SCARBOROUGH, ON 12/08/2016 12/10/2016 Goucher College BALTIMORE, MD 12/10/2016 12/11/2016 Niverville Collegiate NIVERVILLE, MB 12/15/2016 12/16/2016 East Coweta High School (Coweta CSD) SHARPSBURG, GA 12/15/2016 12/17/2016 Ma'ayanot Yeshiva High School for Girls TEANECK, NJ 12/18/2016 12/19/2016 Archbishop Jordon High School SHERWOOD PARK, AB 12/20/2016 12/21/2016 Rhinebeck Performing Arts RHINEBECK, NY 01/06/2017 01/22/2017 Crestwood High School DEARBORN HEIGHTS, MI 01/12/2017 01/22/2017 Lakeland Copper Beech Middle School YORKTOWN HEIGHTS, NY 01/13/2017 01/14/2017 Firehouse Community Theatre LABELLE, FL 01/13/2017 01/22/2017 Crispell Middle School PINE BUSH, NY 01/13/2017 01/14/2017 Central Magnet High School MURFREESBORO, TN 01/19/2017 01/22/2017 The Troupe Theatre Company SAN PEDRO, CA 01/19/2017 01/22/2017 Pacifica Spindrift Players PACIFICA, CA 01/20/2017 02/12/2017 Boys and Girls Club of Souhegan Valley MILFORD, NH 01/20/2017 01/22/2017 Aspire Performing Arts Company BLOOMFIELD, NJ 01/20/2017 01/21/2017 Braswell High School AUBREY, TX 01/26/2017 01/28/2017 Buck Creek Players INDIANAPOLIS, IN 01/27/2017 02/12/2017 Adams High School ROCHESTER, MI 02/01/2017 02/04/2017 Christian Youth Theatre TUCSON, AZ 02/02/2017 02/05/2017 Coe College CEDAR RAPIDS, IA 02/03/2017 02/11/2017 Seven Hills School - Upper School CINCINNATI, OH 02/03/2017 02/04/2017 Kentucky Country Day School LOUISVILLE, KY 02/07/2017 02/14/2017 Aspire Langston Hughes Academy STOCKTON, CA 02/09/2017 02/11/2017 Woodhaven Middle School SPRUCE GROVE, AB 02/15/2017 02/17/2017 Wilkes University WILKES BARRE, PA 02/17/2017 02/26/2017 Ligon Gifted & Talented Middle School RALEIGH, NC 02/23/2017 02/25/2017 Abington Junior High School ABINGTON, PA 02/23/2017 02/25/2017 Cinnaminson Middle School CINNAMINSON, NJ 02/24/2017 03/04/2017 Gilbert S. Lance Middle School KENOSHA, WI 02/24/2017 02/25/2017 Northwest High School CLARKSVILLE, TN 03/01/2017 03/01/2017 Woodlynde School STRAFFORD, PA 03/02/2017 03/03/2017 Saddle River Day School SADDLE RIVER, NJ 03/03/2017 03/04/2017 Cypress Christian School HOUSTON, TX 03/03/2017 03/05/2017 The Art & Drama Centre Theatre PLANO, TX 03/03/2017 03/12/2017 Portola Middle School TARZANA, CA 03/03/2017 03/04/2017 Wichita Collegiate Middle School WICHITA, KS 03/03/2017 03/04/2017 Playing for Others CHARLOTTE, NC 03/04/2017 03/04/2017 H. Frank Carey High School FRANKLIN SQUARE, NY 03/09/2017 03/11/2017 Silver Creek Central School SILVER CREEK, NY 03/09/2017 03/11/2017 Bristol High School BRISTOL, PA 03/09/2017 03/12/2017 Blackman High School MURFREESBORO, TN 03/10/2017 03/12/2017 St. Mary Catholic Central School MONROE, MI 03/10/2017 03/12/2017 Catholic Central High School LETHBRIDGE, AB 03/10/2017 03/18/2017 Archbishop Curley High School BALTIMORE, MD 03/17/2017 03/19/2017 Summit Country Day School CINCINNATI, OH 03/17/2017 03/18/2017 Milan High School MILAN, MI 03/17/2017 03/26/2017 Rawlins High School RAWLINS, WY 03/23/2017 03/25/2017 Assumption High School LOUISVILLE, KY 03/23/2017 03/26/2017 Pearl River High School PEARL RIVER, LA 03/24/2017 03/25/2017 Red Hook High School RED HOOK, NY 03/24/2017 03/26/2017 Pasadena Little Theatre PASADENA, TX 04/04/2017 04/13/2017 J.M. Robinson High School CONCORD, NC 04/06/2017 04/08/2017 Central Catholic High School METHUEN, MA 04/06/2017 04/08/2017 Faulkner University MONTGOMERY, AL 04/06/2017 04/22/2017 Hanover High School HANOVER, NH 04/07/2017 04/08/2017 St. Elmo Jr./Sr. High School ST. ELMO, IL 04/07/2017 04/08/2017 South Callaway Middle School MOKANE, MO 04/07/2017 04/08/2017 Marian Central Catholic High School WOODSTOCK, IL 04/20/2017 04/23/2017 First Philadelphia Preparatory PHILADELPHIA, PA 04/21/2017 04/22/2017 The Straz Center for the Performing Arts TAMPA, FL 04/21/2017 04/30/2017 Arizona School for the Arts PHOENIX, AZ 04/21/2017 04/23/2017 Strongsville Community Theatre STRONGSVILLE, OH 04/21/2017 04/30/2017 Decatur High School DECATUR, AL 04/24/2017 04/29/2017 Red Rocks Community College LAKEWOOD, CO 04/27/2017 04/29/2017 Coldwater High School COLDWATER, OH 04/28/2017 04/30/2017 New England School of Communications BANGOR, ME 04/28/2017 04/30/2017 Tecumseh Jr./Sr. High School LYNNVILLE, IN 04/28/2017 04/30/2017 The Grammar School PUTNEY, VT 05/03/2017 05/06/2017 North Yarmouth Academy YARMOUTH, ME 05/04/2017 05/04/2017 Spotlight Youth Theater CARY, IL 05/04/2017 05/14/2017 U.S. Army FORT LEE, VA 05/05/2017 05/21/2017 Levine Music WASHINGTON, DC 05/05/2017 05/07/2017 Jacksonville Middle School JACKSONVILLE, TX 05/10/2017 05/12/2017 Holy Family School Auburn AUBURN, WA 05/25/2017 05/25/2017 Roswell Community Little Theatre ROSWELL, NM 06/02/2017 06/11/2017 Discovery Charter School SAN JOSE, CA 06/08/2017 06/10/2017 Pierce Middle School MILTON, MA 06/08/2017 06/10/2017 Church Hill Theatre CHURCH HILL, MD 06/09/2017 06/25/2017 Gibson County Theatre Company PRINCETON, IN 06/16/2017 06/25/2017 St. Charles County Community College COTTLEVILLE, MO 07/26/2017 07/30/2017 Ariel Theatrical, Inc. SALINAS, CA 10/06/2017 10/21/2017