Stop the World — I Want to Get Off


STOP THE WORLD – I WANT TO GET OFF is a thought-provoking tale about the fleeting nature of worldly success. In a circus-like world, the hero – an Everyman character named Littlechap – is born, grows up, faces life’s many challenges, and ultimately makes a choice celebrating the perpetual cycle of life.

The tuneful score by Anthony Newley and Leslie Bricusse includes the hit songs “What Kind of Fool Am I?,” “Once In A Lifetime,” and “Gonna Build A Mountain.”

Music samples provided courtesy of Jay Records and TRO-Ludlow Music, Inc.

  • Synopsis
  • Credits
  • Orchestration
  • Rehearsal Materials
  • Cast List
  • Brief History
  • Upcoming
  • In a kaleidoscopic, circus-like world, tiny clownish Littlechap is born. He goes through school, finds work as a tea-boy, and struggles to make his way in life. One day, while traveling on the bus, he falls in love with Evie, his boss’s daughter. When they discover Evie is pregnant, Littlechap and Evie get married. Saddled with the responsibilities of a family, Littlechap manages to get a job in his father-in-law’s factory.

    Littlechap moves up the business ladder, becoming the manager of his office, and he and his wife have another daughter. Still, Littlechap longs for a son. Despite his career success, he grows increasingly dissatisfied with his life, and he pursues several different women in his business travels—Russian official Anya, German domestic Ilse, and American cabaret singer Ginnie—in a futile quest for satisfaction.

    Over time, Littlechap becomes rich and successful, and is elected to public office. But life still seems to have moved too quickly for him, and he remains unsatisfied. In his old age, Littlechap looks back on his life in a fleeting parade of memories, and he realizes that what he always had—the love of his wife— was more than enough to sustain him. Sadly, Evie dies before Littlechap can make amends.

    Littlechap begins writing his memoirs, and finally comes to terms with his own selfishness. At the moment of his death, he watches his daughter Jane give birth to a son. When the boy nearly dies, Littlechap intervenes, and allows Death to take him instead. Littlechap mimes his own birth, and the life cycle begins once again.

    Book, Music and Lyrics by
    Leslie Bricusse and Anthony Newley
    Produced for the Broadway stage by
    David Merrick in association with Bernard Delfont

    Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

    The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

    is presented by arrangement with
    560 Lexington Avenue, New York, New York 10022

  • Full Orchestration

    1 Bass

    1 Reed I: Flute, Piccolo, Clarinet & Tenor Saxophone
    1 Reed II: Flute , Clarinet & Alto Saxophone
    1 Reed III: Clarinet , Bass Clarinet & Tenor Saxophone
    1 Reed IV: Clarinet, Alto Saxophone & Baritone Saxophone
    1 Reed V: Bassoon

    1 Horn
    1 Trumpets I & II
    1 Trombone I
    1 Trombone II
    2 Percussion I & II

    Snare Drum (Brushes & Sticks)
    Bass Drum
    Cymbals (Suspended & Hi-Hat)
    Tom Toms (3 Pitches)
    Cow Bell
    Wood Block
    Slide Whistle
    Finger Cymbals
    Gong (Tam Tam)
    Temple Blocks

    Timpani (3 Drums)
    Finger Cymbals
    Auto Horn
    Wood Block
    Hand Cymbals

    Piano (Piano-Conductor’s Score sent with rehearsal material.)

  • 1       Piano Conductor’s Score (Two volume set)
    1       Prompt Book for Director
    6       Prompt Books for Principal Characters
    10     Chorus Parts
    4       Conductor’s Scores for Principal Characters

  • Littlechap
    Evie (Also Anya, Ilse and Ginnie)
    Chorus of Seven Girls

  • STOP THE WORLD – I WANT TO GET OFF opened at the Queen’s Theatre, London, where it played for 485 performances. On Broadway, it played for 555 performances at the Shubert and Ambassador Theatres starring Anthony Newley and Anna Quayle.

    AWARDS (1963)

    The Tony Award for best featured actress in a musical (Anna Quayle).

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