Crazy for You

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CRAZY FOR YOU is the story of Bobby Child, a well-to-do 1930′s playboy whose dream in life is to dance. And despite the serious efforts of his mother and soon-to-be ex-fiancée, Bobby achieves his dream! Memorable Gershwin tunes include I Can’t Be Bothered Now, Bidin’ My Time, I Got Rhythm, Naughty Baby, They Can’t Take That Away from Me, But Not for Me, Nice Work if You Can Get It, Embraceable You and Someone to Watch Over Me. It’s a high energy comedy which includes mistaken identity, plot twists, fabulous dance numbers and classic Gershwin music.

*Music samples provided courtesy of Angel Records and Warner/Chappell Music, Inc.

  • Synopsis
  • Credits
  • Orchestration
  • Rehearsal Materials
  • Cast List
  • Brief History
  • This Gershwin extravaganza is filled with song, dance and Ken Ludwig’s hilarious dialogue. The audience will be swept up in an artfully constructed tale of boy meeting girl in the Wild West, where they spread goodness and ultimately fall in love.
    The curtain opens on that most magical of places, backstage at the Zangler Theater in New York in the 1930′s. The last performance of The Zangler Follies is wrapping up for the season and Tess, the dance Director, is dodging the advances of the married Mr. Zangler. Bobby Child, the rich son of a banking family, is backstage hoping for an audition with Zangler. Bobby performs K-ra-zy for You, but fails to impress Zangler after landing on Zangler’s toe during the final flourish of his dance routine. Dejected, Bobby heads outside.
    Bobby is met by Irene the wealthy woman to whom he has been engaged for five years, and then by his mother who demands that Bobby carry out a piece of banking business for her. Bobby is told to go to Deadrock, Nevada to foreclose on a rundown theatre. As the two women argue over him, Bobby imagines dancing with the Follies Girls and joins them in a rousing rendition of I Can’t be Bothered Now. Brought back to reality, Bobby decides to escape to Nevada.
    When Bobby arrives in Deadrock, it is clear that the town has seen better days. The men sing Bidin’ My Time in a long, slow drawl. Everett Baker is expecting a banker named Bobby Child to arrive and foreclose on his Gaiety Theater. The only woman left in this forlorn town is Everett’s daughter, the spunky Polly Baker, who vows to get even with “Bobby Child” if she ever meets him. Bobby falls in love with Polly at first sight, not realizing who she is, and expresses his excitement in Things are Looking Up. Lank Hawkins, the owner of Deadrock’s saloon, and Polly’s ardent suitor, is not pleased to see a rival for Polly’s affections.
    Bobby finds himself in quite a bind. If he forecloses on the theatre, he will lose the girl he loves. Inspired, he comes up with the idea of “putting on a show” to pay off the mortgage. Polly agrees to this plan until she finds out who Bobby is – that banker from New York! Bobby is heartbroken, but he decides to put on the show anyway, disguised as Zangler. Polly, deeply hurt, expresses her loneliness in Someone to Watch Over Me.
    A few days later, ten Follies Girls on vacation from The Zangler Follies appear like a mirage in the desert. Bobby has asked them to help stage a spectacular show in Deadrock. When the men of Deadrock see the girls, the sleepy town becomes very lively. Meanwhile, to Bobby’s dismay, Irene arrives, threatening to expose Bobby’s charade. Polly falls in love with Bobby’s impersonation of Zangler, and expresses her love for “Zangler” with the song Embraceable You.
    Opening night arrives, but everyone is disappointed to find that the only ticket buyers are the Fodors, an English couple writing a guidebook to the American West. What starts out as a disappointment changes into the realization that the show has galvanized the once-sleepy town. They celebrate with a spirited rendition of I Got Rhythm while the actual Zangler stumbles unnoticed into town.
    Act Two opens in Lank’s saloon where Bobby is professing his love to Polly. Unfortunately, she is still in love with the man who she thinks is Zangler. Bobby is about to convince Polly that he has been impersonating “Zangler” when the real Zangler walks into the saloon looking for Tess.
    Zangler finds Tess but refuses her request to produce the show. Tess storms off. Zangler, now drunk, bemoans his fate. Bobby, dressed like Zangler, reels in to drown his sorrow over losing Polly. The two men act as mirror images of each other and lament their lost loves in What Causes That. The next morning, Polly sees two Zanglers passed out together. She realizes that Bobby was telling her the truth, but she feels hurt by his deception.
    The townsfolk vote to give up on performing the show again. Bobby is disappointed and decides to return to New York when Polly refuses to admit that she wants him to stay. Before departing, Bobby thanks her for the memories by singing They Can’t Take That Away From Me. Polly then mourns her loss in But Not for Me.
    Zangler agrees to stay in Deadrock and back the show after all. He spends his last dollar putting together a top-notch production to show Tess how much he loves her. In New York, Bobby’s mother gives him the deed to the Zangler Theater. Bobby’s happiness evaporates as the Follies Girls remind him in Nice Work If You Can Get It that nothing matters as much as true love. Bobby takes off for Deadrock and Polly.
    Deadrock has been transformed into a jewel of a city where the “Deadrock Follies” has been playing to packed houses, and the star of the show is Polly. Nevertheless, Polly misses Bobby and decides to look for him in New York. Polly and Bobby cross paths but are ultimately reunited in Deadrock. Irene marries Lank, and Bobby’s mother (who follows her son out West) is smitten with Everett. Bobby and Polly embrace at last. The curtain falls on a finale of bliss and a reprise of Embraceable You.

  • Music and Lyrics by George Gershwin and Ira Gershwin
    Book by Ken Ludwig
    Co-Conception by Ken Ludwig and Mike Ockrent
    Inspired by Material by Guy Bolton and John McGowan
    Originally produced on Broadway by Roger Horchow and Elizabeth Williams

  • Full Orchestration:

    1 Reed I – Piccolo, Flute, Clarinet, Soprano & Alto Saxophone
    1 Reed II – Piccolo, Flute, Eb Clarinet (or Bb Clarinet), Clarinet, Alto Saxophone and Ocarina in C (or Pennywhistle in G)
    1 Reed III – Oboe, English Horn, Clarinet and Tenor Saxophone
    1 Reed IV – Piccolo, Flute, Clarinet, Bass Clarinet and Tenor Saxophone
    1 Reed V – Bassoon, Bass Clarinet and Baritone Saxophone

    1 Horn I & II
    2 Trumpet I & II (1st doubling Piccolo Trumpet)
    1 Trombone I (Tenor Trombone)
    1 Trombone II (Bass Trombone doubling Tuba)

    2 Percussion I & II*
    1 Guitar & Banjo
    1 Piano (Keyboard Synthesizer – principally rhythm piano)

    3 Violins
    1 Cello
    1 Bass

    1 String Substitute Synthesizer (A Keyboard part that may be used to substitute for the Violins and Cello parts in the orchestration, and is only supplied when the full orchestration is rented.)

    Piano-Conductor’s Score sent with rehearsal material

    *Percussion 1 – mallet instruments & DrumKAT mallet percussion synthesizer (2 octaves)
    Glockenspiel
    Xylophone
    Vibraphone
    Marimba
    Chimes
    Crotales
    Timpani (2 pedal drums)
    Suspended Cymbal (2 sizes)
    Triangle (3 sizes)
    Small Ratchet
    Telephone Ring
    Mark Tree
    Bell Tree
    Slap Stick (2 sizes)
    Tambourine (2 sizes)
    Castanets
    Cabasa (stage sandpaper)
    Bell Plate (stage shovels)
    Pop Gun
    Slide Whistle
    Police Whistle
    Large Metal Ribbed Washboard
    Fight Bell/Gong & Trolley Bell
    Acoustic Xylophone
    [KAT] Vibes-Quasi Bass
    [KAT] Low Metallic Sound (Hubcap)
    [KAT] Tire Pump (stage cue)
    [KAT] Vibes/Marimba/C.B. Combo
    Tuned Bulb Horns (G F Eb)
    Sandpaper Blocks

    Percussion 2 – trap drum set

    Bass Drum Triangle (2 sizes)
    Snare Drum (brushes & sticks) Cow Bell (2 sizes)
    Tom Tom (mounted & floor) Wood block (2 sizes)
    Cymbals: (various mallets & scraper)

    Suspended
    Hi-Hat
    Chinese (or similar 12″ cym.)
    Splash
    Crash
    Sizzle
    Ride

    Temple Blocks (3 pitches)
    Sand Blocks or Cabasa
    Guiro (stage saws)
    Slap Stick
    Tambourine
    Siren
    Ratchet
    Police Whistle & Slide Whistle

  • 1       Piano Conductor’s Score
    1       Prompt Book
    5       Prompt Books for Principal Characters
    1       Original Cast CD
    25     Dialogue Parts
    38     Chorus-Vocal Parts

    Optional Additional Materials

    1       Choreography Guide prepared by Susan Stroman, the original choreographer.

  • Principals

    (3 female; 4 male)

    Polly Baker — postmistress in Deadrock, Nevada; “All American Girl”
    Irene Roth — New York society debutante
    Patricia Fodor — Eugene’s sister
    Bobby Child — young man from New York in love with musical theater
    Bela Zangler — an established theatrical producer in New York
    Eugene Fodor — an English tourist
    Everett Baker — Polly’s father
    Lank Hawkins — saloon proprietor in Deadrock, Nevada

    Supporting

    Mother (Mrs. Lottie Child) — Bobby’s business-oriented and controlling parent
    Perkins — Mother’s business assistant (doubles as Custus)
    Chauffeur — for Mother’s limousine

    Tess — dance director; Zangler’s favorite
    Patsy — showgirl with hish speaking voice
    Mitzi — a principal dancer
    Elaine — follies girl
    Louise — follies girl
    Susie — follies girl
    Betsy — follies girl
    Margie — follies girl
    Sheila — follies girl
    Vera — follies girl

    Moose — member of Cowboy Trio
    Mingo — member of Cowboy Trio and of Male Quartet
    Sam — member of Cowboy Trio

    Harry — member of Male Quartet; Bartender
    Junior — member of Male Quartet; card player
    Wyatt — member of Male Quartet; card playe
    Billy — card player
    Pete
    Custus — (doubles as Perkins)

    Ensemble

    Stage Manager of New York theatre
    Stage Hands
    4 Show Girls
    2 Lackeys for Zangler
    3 Mother’s Directors
    New York Street Crowds
    Deadrock Street Crowds

    The original Broadway production had a cast of 29 performers, including chorus. Some doubling was employed in the minor parts.

  • CRAZY FOR YOU™ played for 1,622 performances on Broadway at the Shubert Theatre starring Harry Groener and Jodi Benson.

    Awards (1992)

    3 Tony Awards for Musical, Choreographer and Costume Designer
    3 Outer Critics Circle Awards for Broadway Musical, Choreography and Set, Costume and Lighting Design
    2 Drama Desk Awards for Musical and Choreography