Play the Songs
In a Berlin nightclub, as the 1920’s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the CABARET. With the Emcee’s bawdy songs as wry commentary, CABARET explores the dark, heady, and tumultuous life of Berlin’s natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer newly arrived in Berlin, is immediately taken by English singer Sally Bowles. Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally’s boardinghouse, tentatively begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish. Musical numbers include “Willkommen,” “Cabaret,” “Don’t Tell Mama” and “Two Ladies.”
NOTE: Three Broadway versions of this show (1966,1987, and 1998) are available for licensing. Though all three follow the same story and share most songs, there are some differences in the script and score for each:
- Only this 1998 version includes “Mein Herr” and “Maybe This Time.”
- Only the Original 1966 version includes “Why Should I Wake Up?” and “Meeskite.”
- Only the Revised 1987 version includes “Don’t Go.”
- The 1966 and 1987 versions include “The Telephone Song” and “Sitting Pretty.” This 1998 version does not.
- The 1987 and 1998 versions include “The Money Song” and “I Don’t Care Much.” The Original 1967 version does not.
- In the 1966 version, Herr Schultz is a tenor. In the 1987 and 1998 versions, he is a baritone.
- The three versions differ in their treatment of the character of Cliff: In the Original 1966 version, there is no suggestion that he may be gay or bisexual. In the Revised 1987 version his bisexuality is implied, and in the 1998 version, he is clearly gay or bisexual.
All three versions include “Willkommen,” “So What,” “Don’t Tell Mama,” “Perfectly Marvelous,” “Two Ladies,” “It Couldn’t Please Me More (The Pineapple Song),” “Tomorrow Belongs to Me,” “Married,” “If You Could See Her” and “Cabaret.”
Authorized performance and rehearsal tracks for CABARET (1998 Version) are available from The MT Pit. For more information, visit themtpit.com.
Music samples courtesy of Masterworks Broadway, Alley Music Co. and Trio Music Co.
- Rehearsal Materials
- Cast List
- Brief History
Germany, New Year’s Eve, 1929: The Master of Ceremonies, or Emcee, welcomes the audience to the Kit Kat Club, a seedy Berlin nightspot (“Willkommen”).
Meanwhile, in a railway car, an aspiring young American writer named Clifford Bradshaw heads towards Berlin in hopes of finding inspiration for a new novel. Cliff meets Ernst Ludwig, a German who appears to be in the smuggling business. When Cliff inadvertently helps him, Ernst recommends a boarding house in Berlin. Fräulein Schneider, the proprietress of the boarding house, offers Cliff a room for one hundred marks. When he hesitates, she accepts half the usual price; years of oppression have left her weary but pragmatic (“So What?).
On his first night in Berlin, Cliff visits the Kit Kat Klub, where the Emcee introduces a young English singer named Sally Bowles (“Don’t Tell Mama”). After Sally’s number, Max, the proprietor of the club, fires her; he says it’s “time for a new face.” When Cliff comes backstage, Sally flirts and attempts to shock him. Sally leaves Cliff alone in her dressing room, and a young man named Bobby enters. As Cliff and Bobby kiss, Sally sings her final number at the club (“Mein Herr”).
The next day, as Cliff finishes teaching an English lesson to Ernst, Sally suddenly appears in Cliff’s room with her baggage. Max has thrown her out, and she convinces Cliff (and Fräulein Schneider) to let her move in (“Perfectly Marvelous”). The Emcee and two companions sing a bawdy number about cohabitation (“Two Ladies”).
Herr Schultz, a Jewish fruit seller, woos Fräulein Schneider with the gift of a costly pineapple (“It Couldn’t Please Me More”). On a small gramophone, the Emcee plays a recording of a young boy singing a patriotic anthem to the Fatherland (“Tomorrow Belongs to Me”).
Months pass. Cliff is getting nowhere with his novel, but has grown accustomed to life with Sally. Sally reveals that she is pregnant. After the initial shock, Cliff is excited by the prospect of fatherhood, and Sally allows herself to hope (“Maybe This Time”). Ernst arrives and offers Cliff a job smuggling a briefcase into Germany, and Cliff accepts. The Emcee comments on everyone’s need for cash (“Money”).
Meanwhile, Fräulein Schneider has caught one of her boarders, Fräulein Kost, soliciting sailors in her room. Fräulein Kost notes Fräulein Schneider’s hypocrisy; she has seen Herr Schultz spend the night in Fräulein Schneider’s room. To save Fräulein Schneider’s reputation, Herr Schultz declares they are engaged to be wed in three weeks (“Married”).
At the engagement party, Cliff hands Ernst the smuggled suitcase in exchange for an envelope full of cash. Ernst removes his coat, revealing a swastika armband. Realizing that Herr Schultz is Jewish, Ernst goes to leave, but Fräulein Kost stops him, singing “Tomorrow Belongs To Me.” As Cliff, Sally, Herr Schultz and Fräulein Schneider look on, the entire ensemble joins in singing the Nazi anthem.
The second act begins with the Kit Kat Girls and the Emcee, in drag, dancing in a kick-line that morphs into a goosestep. Fräulein Schneider expresses her concerns about marrying Herr Schultz, but he assuages her fears (“Married” Reprise). But their moment of reconciliation is interrupted by the crash of a brick thrown through the window of Herr Schultz’s shop. At the Kit Kat Klub, the Emcee performs a duet with a female gorilla, explaining that society will not accept their love (“If You Could See Her”).
Fräulein Schultz breaks off her engagement to Herr Schultz (“What Would You Do?”). Cliff decides to take Sally back to America where they can raise the baby together. Sally protests, declaring how wonderful their life in Berlin is, and Cliff sharply tells her to “wake up” and take notice of the growing unrest around them. As the Emcee sings a rueful ballad (“I Don’t Care Much”), Cliff and Sally brutally waken each other to the truth. At the Kit Kat Klub, Cliff and Ernst argue, and Ernst’s Nazi bodyguards beat Cliff and drag him out. On stage, the Emcee introduces Sally, who enters to perform again, singing that “life is a cabaret, old chum,” cementing her decision to live in carefree ignorance (“Cabaret”).
The next morning, as Cliff is packing to leave, Herr Schultz explains that he is moving to another boardinghouse, confident that the bad times will soon pass. He understands the German people, he says, because he is a German too. When Sally returns, she reveals that she’s had an abortion; Cliff slaps her. As Cliff leaves, Sally asks him to dedicate his novel to her. On the train to Paris, Cliff begins to write his novel, reflecting on his experiences: “There was a cabaret, and there was a master of ceremonies, and there was a city called Berlin, in a country called Germany… and it was the end of the world.” (“Willkommen” Reprise).
In the Kit Kat Klub, the Emcee again welcomes the audience (“Willkommen”), but he is now harsh and violent. The set disappears, leaving only white space. The Emcee sings, “Auf Wiedersehen… à bientôt…” and slowly removes his coat, revealing the clothes of a concentration camp prisoner. There is a drum roll and cymbal crash. Blackout.
Book by Joe Masteroff
Based on the play by John Van Druten and
Stories by Christopher Isherwood
Music by John Kander Lyrics by Fred Ebb
Co-directed and Choreographed by Rob Marshall
Directed by Sam Mendes
Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.
The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:
is presented by arrangement with
TAMS-WITMARK MUSIC LIBRARY, INC.
560 Lexington Avenue, New York, New York 10022
NOTE: Authorized performance and rehearsal tracks for CABARET (1998 Version) are available from The MT Pit. For more information, visit themtpit.com.
1 Reed I (Clarinet, Alto Saxophone & optional Clarinet in A)
1 Reed II (Clarinet & Tenor Saxophone)
1 Synthesizer (primarily Accordion)
1 Guitar/Banjo (primarily Banjo)
Piano (Piano-Conductor’s Score sent with rehearsal material [2 volumes])
Optional Orchestra Parts
(played by actors, if possible, for certain numbers only)
1 Alto Saxophone
1 Tenor Saxophone & Clarinet
1 Trumpet II
1 Piano Conductor’s Score (Two Volume Set)
1 Prompt Book — for the Director
16 Chorus-Vocal Parts
14 Prompt Books for the Cast
NOTE: Authorized performance and rehearsal tracks for CABARET (1998 Version) are available from The MT Pit. For more information, visit themtpit.com.
Master of Ceremonies (Emcee)
Customs Official (doubles as Herman, non-speaking; and Max, speaking)
Fräulein Kost (doubles as Fritz, non-speaking)
Rudy (a sailor, non-speaking; doubles as Hans, also non-speaking)
Max (doubles as Herman, non-speaking, and Customs Official, speaking)
Gorilla (non-speaking, doubles as French, also non-speaking)
Boy Soprano (pre-recorded, non-speaking)
The Kit Kat Girls:
Frenchie (non-speaking, doubles as Gorilla, also non-speaking)
Fritzie (non-speaking, doubles as Fräulein Kost, who speaks)
The Kit Kat Boys:
Hans (non-speaking, doubles as Rudy, a sailor, also non-speaking)
Herman (non-speaking, doubles as Customs Official and Max, both speaking)
The 1998 Broadway production had a cast of 16 performers, plus pre-recorded Boy Soprano voice. Some doubling was employed in the minor parts, as outlined above.
CABARET opened on Broadway on November 20, 1966, and played for 1,165 performances at the Broadhurst, Imperial, and Broadway Theatres. The London production ran for 336 performances at the Palace Theatre. The show was revised for Broadway, first in 1987, when it played for 261 performances at the Imperial and Minskoff Theatres, and again in 1998 at Studio 54, where it played for 2,377 performances. In 2014, CABARET returned to Broadway at Studio 54, playing an additional 388 performances.
8 Tony Awards for Musical, Composer and Lyricist, Director, Choreographer, Scenic Design, Costume Design, Featured Actor and Featured Actress
The Outer Critics Circle Award for Production
The New York Drama Critics Circle Award for Best Musical
4 Tony Awards for Revival, Actor, Actress, and Featured Actor
3 Drama Desk Awards for Outstanding Revival, Actor and Actress
3 Outer Critics Circle Award for Outstanding Revival, Actor and Actress
Find upcoming performances near you.
Organization City, State First Performance Last Performance Judy Russell Presents Enchainment Prod. PRINCE GEORGE, BC 02/13/2018 02/24/2018 Theatre Tuscaloosa TUSCALOOSA, AL 02/15/2018 02/25/2018 Centralia College CENTRALIA, WA 02/16/2018 02/25/2018 Lower Ossington Theatre TORONTO, ON 02/18/2018 05/06/2018 Performing Institute of Minnesota EDEN CIRCLE, MN 02/22/2018 03/03/2018 Rotary Club of Bracebridge BRACEBRIDGE, ON 02/22/2018 03/03/2018 Gustavus Adolphus College ST. PETER, MN 02/23/2018 03/04/2018 Wooster School DANBURY, CT 02/23/2018 03/04/2018 Three Rivers Music Theatre FORT WAYNE, IN 02/23/2018 03/04/2018 Groton High School GROTON, MA 02/23/2018 02/25/2018 Georgia College & State University MILLEDGEVILLE, GA 02/28/2018 03/04/2018 Rose State College MIDWEST CITY, OK 03/01/2018 03/04/2018 Maui on Stage WAILUKU MAUI, HI 03/02/2018 03/18/2018 Bancroft School WORCESTER, MA 03/08/2018 03/10/2018 Newton South High School NEWTON, MA 03/08/2018 03/10/2018 Jewish Community Center VESTAL, NY 03/08/2018 03/11/2018 Bancroft School WORCESTER, MA 03/08/2018 03/10/2018 Baton Rouge Little Theater BATON ROUGE, LA 03/09/2018 03/25/2018 Theatre Guild of Hampden HAMPDEN, MA 03/09/2018 03/18/2018 Clarence Senior High School CLARENCE, NY 03/15/2018 03/17/2018 Joe Jefferson Players MOBILE, AL 03/16/2018 04/01/2018 The Ghent Playhouse GHENT, NY 03/16/2018 04/01/2018 Theatre of Dare KILL DEVIL HILLS, NC 03/16/2018 03/25/2018 Florida Repertory Theatre FORT MYERS, FL 03/20/2018 04/15/2018 Mount Carmel High School SAN DIEGO, CA 03/22/2018 03/31/2018 West Virginia Wesleyan College BUCKHANNON, WV 03/22/2018 03/24/2018 St. Peter's University JERSEY CITY, NJ 03/22/2018 03/24/2018 Hackensack High School HACKENSACK, NJ 03/22/2018 03/25/2018 Loyola University CHICAGO, IL 04/05/2018 04/15/2018 Salt Lake Community College SALT LAKE CITY, UT 04/05/2018 04/14/2018 Barstow Community College BARSTOW, CA 04/06/2018 04/15/2018 Salve Regina University NEWPORT, RI 04/11/2018 04/15/2018 Simcoe Little Theatre SIMCOE, ON 04/12/2018 04/22/2018 Obsidian Theater HOUSTON, TX 04/12/2018 05/05/2018 Stevenson University STEVENSON, MD 04/12/2018 04/21/2018 Royal City Musical Theatre Company NEW WESTMINSTER, BC 04/12/2018 04/29/2018 Ohio Wesleyan University DELAWARE, OH 04/13/2018 04/22/2018 Utah Valley University OREM, UT 04/13/2018 04/28/2018 University Of California BERKELEY, CA 04/13/2018 04/29/2018 Xavier University CINCINNATI, OH 04/13/2018 04/15/2018 Seattle University SEATTLE, WA 04/13/2018 04/14/2018 Moonbox Productions CAMBRIDGE, MA 04/14/2018 04/29/2018 Ithaca College ITHACA, NY 04/17/2018 04/28/2018 Buffalo State College BUFFALO, NY 04/19/2018 04/28/2018 Nebraska Wesleyan University LINCOLN, NE 04/19/2018 04/29/2018 West Valley College SARATOGA, CA 04/20/2018 04/29/2018 Viewpoint School CALABASAS, CA 04/20/2018 04/22/2018 St. Ambrose University DAVENPORT, IA 04/20/2018 04/22/2018 Plan-B Entertainment, LLC STUDIO CITY, CA 04/24/2018 04/29/2018 Great River School ST. PAUL, MN 04/26/2018 04/28/2018 Beverly Theatre Guild OAK LAWN, IL 04/26/2018 05/06/2018 University Of La Verne LA VERNE, CA 04/26/2018 05/06/2018 Darien Art Center Stage DARIEN, CT 04/27/2018 05/12/2018 River Raisin Center for the Arts MONROE, MI 04/27/2018 05/06/2018 Texas Tech University LUBBOCK, TX 04/28/2018 05/08/2018 Broadhollow Theatre Company EAST ISLIP, NY 04/28/2018 06/03/2018 The Nueva High School SAN MATEO, CA 05/10/2018 05/13/2018 Batavia Players BATAVIA, NY 05/11/2018 05/19/2018 Fuse Theatre Ensemble PORTLAND, OR 05/17/2018 06/02/2018 Pentacle Theatre SALEM, OR 05/25/2018 06/16/2018 University of California - Santa Barbara SANTA BARBARA, CA 05/25/2018 06/03/2018 Celebration Theatre LOS ANGELES, CA 05/25/2018 08/05/2018 Tantallon Community Players FORT WASHINGTON, MD 06/01/2018 06/10/2018 Clarington Central Secondary School BOWMANVILLE, ON 06/06/2018 06/09/2018 Fort Peck Fine Arts Council GLASGOW, MT 06/15/2018 07/01/2018 MacHaydn Theatre, Inc. CHATHAM, NY 06/21/2018 07/01/2018 Meadville Community Theatre MEADVILLE, PA 06/22/2018 07/01/2018 Shane Lalani Center for the Arts LIVINGSTON, MT 06/29/2018 07/22/2018 Florida Atlantic University BOCA RATON, FL 07/06/2018 07/22/2018 Clinton Area Showboat Theatre CLINTON, IA 07/12/2018 07/22/2018 Weston Drama Workshop FRAMINGHAM, MA 07/19/2018 07/28/2018 Savannah Stage Company SAVANNAH, GA 07/20/2018 07/28/2018 College of Lake County GRAYSLAKE, IL 07/20/2018 07/29/2018 Rhino Theatre Group POMPTON LAKES, NJ 07/25/2018 08/05/2018 Performing Arts Center of Suffolk County BELLPORT, NY 08/01/2018 08/18/2018 White Plains Performing Arts Center WHITE PLAINS, NY 08/03/2018 08/12/2018 College Light Opera Company FALMOUTH, MA 08/21/2018 08/25/2018 Vagabond Theatre, Inc. BALTIMORE, MD 10/19/2018 11/18/2018 Manatee Performing Arts Center BRADENTON, FL 10/25/2018 11/11/2018 Baldwin-Wallace College BEREA, OH 11/07/2018 11/18/2018 Rochester Institute of Technology ROCHESTER, NY 11/30/2018 12/02/2018 Suzart Productions OTTAWA, ON 02/14/2019 02/24/2019 North Carolina State University RALEIGH, NC 02/20/2019 02/24/2019 Carnegie Mellon University PITTSBURGH, PA 02/21/2019 03/02/2019 Footlight Club JAMAICA PLAIN, MA 03/30/2019 04/13/2019 Silhouette Stages, Inc. COLUMBIA, MD 05/10/2019 05/26/2019 Musical Youth Artists Repertory Theatre LONG BEACH, CA 05/10/2019 05/26/2019 Lucky Penny Productions NAPA, CA 05/31/2019 06/16/2019 Beavercreek Community Theatre BEAVERCREEK, OH 06/21/2019 06/30/2019