212-688-2525
800-221-7196

Bells Are Ringing

Description

This charming romantic comedy follows the exploits of Ella, a telephone answering service operator with a fascination for her client's private lives. At Susanswerphone, Ella uses a variety of voices and personae to keep herself entertained. As she follows the lives of her customers, Ella becomes inextricably involved with a handsome playwright, a fledgling record company, and a dangerous crime ring. BELLS ARE RINGING is a delightful showcase for a singing comedienne, filled with heart and humor. The tuneful score, with lyrics by Comden & Green, features some of Jule Styne's most popular songs, including "Just in Time," "The Party's Over," "Long Before I Knew You" and "Better Than a Dream."

Music samples provided courtesy of Varese Sarabande and Stratford Music Corporation.

Synopsis

ACT ONE
It’s 1956, and busy New Yorkers use “Susanswerphone,” a telephone answering service, to ensure they’ll never miss a phone call again (“Bells Are Ringing”). One operator at Susanswerphone, Sue’s cousin Ella Peterson, particularly enjoys listening in on people’s lives. Ella adds some interest to her own humdrum existence by adopting different identities – and voices – to serve her clients. Those clients include Blake Barton, an out-of-work Method actor, Dr. Kitchell, a dentist with musical yearnings but no talent, and struggling playwright Jeff Moss, who desperately needs a muse. Though she’s never laid eyes on him, Ella realizes she’s fallen in love with Jeff (“It’s a Perfect Relationship”).

Jeff struggles to finish writing The Midas Touch, the first play he’s written since his collaborator departed (“Independent”). The night before an important 9 am meeting with his producer, Jeff calls Susanswerphone to request a wake-up call. He asks Ella – whom he regards only as “Mom,” a kindly old lady – for some creative inspiration (“You’ve Got To Do It”). Meanwhile, Sandor, Sue’s rich boyfriend, reveals plans to a group of gangsters to use Susanswerphone as a bookmaking operation, by pretending to be a record seller and taking orders for “symphonies” as code (“It’s a Simple Little System”).

Ella sets off towards Jeff’s apartment to help him write the play, but she is intercepted by a policeman who suspects that Susanswerphone is a front for an “escort service.” Ella tells him she’s just helping someone in need (“Is it a Crime?”) and he lets her go. When Ella arrives at Jeff’s place at 7am, she discovers him asleep on his couch. He suddenly awakens, so Ella pretends claims to be his neighbor, Melisande, who mistakenly entered the wrong apartment. She helps motivate him to write his play and a romantic spark is lit (“Better Than A Dream”).

Jeff’s play is well received, so he and Melisande/Ella celebrate by greeting strangers on the street (“Hello, Hello There”). Jeff is smitten (“I Met a Girl”). Detective Francis, who continues to investigate Susanswerphone for fronting an escort service, follows Ella to Jeff’s apartment one night. n the apartment, Jeff and Melisande/Ella declare their love (“Long Before I Knew You”), and just as they embrace to kiss, Francis snaps a photograph.

ACT TWO
As Ella anxiously anticipates an evening date with Jeff, her friend Carl calms her nerves with a sizzling dance (“Mu-Cha-Cha”). Ella meets Jeff in Central Park, where he serenades her in front of admiring crowds (“Just In Time”). Jeff takes Melisande/Ella to a fancy show biz party, where he proudly introduces her to the pretentious, rich guests (“Drop That Name”). Ella, feeling out of place, realizes that Jeff is in love with an illusion. She leaves without saying goodbye (“The Party’s Over”).

Sandor, in need of some cash to cover his racing debts, convinces Sue to lend him $6,000, and the two plan to run off together (“Salzburg”). Jeff, despondent over Melisande’s sudden departure, seeks her out at their favorite nightclub (“The Midas Touch”). At the club, Jeff, struggling actor Barton, and dentist-turned-musician Dr. Kitchell realize they’ve all been inspired by the same woman, but they don’t know how to reach her. They all exchange phone numbers, and Jeff leaves to find his Melisande. Police officers enter and immediately take Barton and Kitchell for questioning.

In Bay Ridge, Jeff has no luck finding Melisande. He calls Barton and Kitchell, reaching Susanswerphone both times. He finally puts it all together, realizing that Melisande is “Mom.”

At Susanswerphone, Ella decides that her life is too complicated, and she packs her backs to flee to her previous employer (“I’m Going Back”). Sandor, pursued by two henchmen, enters, wondering who changed his order for “Beethoven’s Tenth” to “Beethoven’s Ninth.” Ella admits she made the correction, since Beethoven only wrote nine symphonies. Francis and the police enter and arrest Sandor and the henchmen for operating a booking ring. Jeff arrives and declares his love for Ella/Melisande/Mom. As Ella’s other clients arrive, she introduces them – by phone number – and they all join in celebration (“Finale”).

Credits

BELLS ARE RINGING
Book and Lyrics by Betty Comden and Adolph Green
Music by Jule Styne
Entire Original Production Directed by Jerome Robbins
Dance and Musical Numbers of Original Production
Staged by Jerome Robbins and Bob Fosse
Produced on the Broadway Stage by The Theatre Guild

Such credits to the authors for all purposes shall be in type size equal to or greater than that of any other credits except for that of the star(s) above the title. In the programs, the credits shall appear on the title page thereof.

The title page of the program shall contain the following announcement in type size at least one-half the size of the authors’ credits:

BELLS ARE RINGING
is presented by arrangement with
TAMS-WITMARK MUSIC LIBRARY, INC.
560 Lexington Avenue, New York, New York 10022

Orchestration

Full Orchestration

2 Violin AC
1 Violin BD
1 Viola
1 Cello
1 Bass

1 Reed I: Flute (or Clarinet), Clarinet & Alto Saxophone
1 Reed II: Flute (or Clarinet), Piccolo (or Clarinet), Clarinet & Alto Saxophone
1 Reed III: Oboe (or Clarinet), English Horn (or Clarinet), Clarinet & Tenor Saxophone
1 Reed IV: Clarinet, Tenor Saxophone, Baritone Saxophone (or Bass Clarinet) & Bass Clarinet
1 Reed V: Clarinet, Bassoon (or Baritone Saxophone) & Baritone Saxophone

2 Horns I & II
2 Trumpets I & II
1 Trumpet III
1 Trombone I
1 Trombone II

1 Percussion:

Timpani (2 Drums)
Snare Drum (Brushes & Sticks)
Deep Pitch Snare Drum
Bass Drum
Tom Toms (3 Pitches)
Bongo Drums
Suspended Cymbal
Hi-Hat
Glockenspiel (Soft & Hard Mallets)
Telephone Bells (3 Pitches)
Triangle
Cowbell
Ratchet
Wind Whistle
Maracas
Temple Blocks
Castanets
Sand Paper
Wood Block

1 Harp

Piano-Celeste (Piano-Conductor’s Score sent with rehearsal material.)

1 Guitar

Rehearsal Materials

1       Piano Conductor’s Score
1       Prompt Book for Director
25     Prompt Books for Cast
30     Chorus-Vocal Parts

Cast List

Sue
Gwynne
Ella Peterson
Carl
Inspector Barnes
Francis
Sandor
Jeff Moss
Larry Hastings
Telephone Man
Ludwig Smiley
Charles Bessemer
Dr. Kitchell
Blake Barton
Another Actor
Joey
Olga
Man from Corvello Mob
Other Man
Carol
Paul Arnold
Michelle
Master of Ceremonies
Singer at Nightclub
Waiter
Maître d’Hôtel
Police Officer
Madame Grimaldi
Mrs. Mallet

Brief History

BELLS ARE RINGING opened at Broadway’s Shubert Theatre on November 29, 1956, starring Judy Holliday and Sydney Chaplin. It later transferred to the Alvin Theatre, running for a total of  924 performances. In 2001, the show was revived on Broadway starring Faith Prince.

Awards (1957)

2 Tony Awards for Best Actress and Best Featured Actor
The Theatre World Award (Sydney Chaplin)